Welcome to Delightful Reads

Welcome to a community of like-minded readers in search of Delightful Reads—that is, books that are either . . .

  • Light but literate (not too superficial) or
  • Serious but not pedantic (not too difficult)

Click here to find out more about what makes a Delightful Read.

The site has three goals:  (1) To provide a resource: Under “Find Books” (at right), you will find a listing of both light and serious Delightful Reads I’ve discovered over the years.  (2) To provide monthly updates, like the ones posted below.  Sign up at right to receive these short monthly updates via email.  (You can always unsubscribe.)  (3) To encourage your own book recommendations.  You can either reply directly to my postings or contact me here or via the “Contact” button below.

Spunky Mystery Heroines
February 2019

If you enjoy reading mysteries with feisty heroines such as bounty hunter Stephanie Plum (by Janet Evanovich), private investigator Kinsey Millhone (by Sue Grafton), or sidekick Barbara Havers (by Elizabeth George) — then you may enjoy some of my favorite mystery heroines who are less well known.

The Honourable Daisy Dalrymple, the charming and vivacious daughter of a Viscount, chooses to become a journalist rather than living on an estate and being supported by her relatives.  The series is set in the 1920s in post WWI England, during which attitudes toward class, gender, and ethnicity are starting to change.  Daisy works in tandem with—or meddling with—Scotland Yard’s Adam Fletcher.  The series of 23 books is written by English-born American writer Carola Dunn.  Best to read them in order, starting with Death at Wentwater Court.

Bubbles Yablonsky, a curvaceous, seemingly ditsy hairdresser investigates murders she literally stumbles upon.  The series of six books by Sarah Strohmeyer starts with Bubbles Unbound, winner of the Agatha Award for Best First Novel.  My other favorites are Bubbles Ablaze and Bubbles A Broad.

Opening paragraph: “For most of my adult life, people in this town have passed me over as just another dumb blonde fascinated by soap operas and gossip.  My name, Bubbles Yablonsky, doesn’t help matters any.  Nor does the fact that my profession is hairdressing, my body resembles a Barbie doll’s and my fashion weaknesses are hot pants and tube tops.”

I also really like Alexandra (“Alex”) Barnaby, heroine of Janet Evanovich’s little-known series consisting of only two books, Metro Girl and Motor Mouth, plus two graphic novels.  Barnaby blasts through South Florida with Sam Hooker, “a NASCAR driver who’s good at revving a woman’s engine.”

Opening paragraph: “When I was twelve my dad taught me how to use an acetylene torch.  After I mastered welding, he gave me some spare parts and our old lawn mower, and I built myself a go-cart.  When I was sixteen, I started rebuilding a ten-year-old junker Chevy.  I turned it into a fast car. And I raced it in local stock cars for two years. . . . So, I could build cars, and I could drive cars. I just never got the hang of driving them without destroying them.”

A final example is eleven-year-old Flavia de Luce, a precocious aspiring chemist, solves the murders in this series set in an English village in the early 1950’s. Flavia was hailed as “a combination of Eloise and Sherlock Holmes” by The Boston Globe.  The first book in the series, The Sweetness at the Bottom of the Pie, is by far the best and was awarded multiple prizes including the Debut Dagger Award.  The nine-book series is written by Canadian author Alan Bradley.

For other Delightful Mysteries, click here.

What are some of your favorite series and favorite detectives?

Best Books of 2018
January 2019

When the holiday season ends and you’re left with the prospect of two or three months of dreary, gray days, what’s to do?  Organize your closets?  Clean out your refrigerator and freezer?  Start preparing your tax materials?  Or . . . Curl up with the softest blanket you can find and a pile of good books?  It’s your choice!

But, if you’re looking for books, here are my favorites published in 2018, listed from “light but literate” to “serious but not pedantic.”

Patrick deWitt’s French Exit,“aptly billed as a ‘tragedy of manners,’ is a mother-son caper, a sparkling dark comedy that channels both Noel Coward’s wit and Wes Anderson’s loopy sensibility.” (NPR)  The main characters are terrible people, but somehow enjoyable to read about anyway.  (I also recommend deWitt’s Undermajordomo Minor, another genre-blaster, this one a sort of  adult fairytale.)

In The Library BookSusan Orlean offers the same kind of immersive journalism and historical exploration as in her previous wonderful book, The Orchid Thief.  This time, Orlean celebrates the love of books and the wonders of public libraries, jumping off from the mystery of the devastating 1986 fire in the Los Angeles Central Library.  In the words of the Washington Post, “a constant pleasure to read. . .  Everybody who loves books should check out The Library Book.”

Set in fin-de-siècle Scotland, France, and Russia, Love Is Blind by William Boyd is an international saga about love, music, missed opportunities, and revenge—featuring an energetic and sweet-tempered piano tuner.  I quite agree with The New Stateman:“Boyd’s career consists of an endless flow of stories in the great realist tradition, with strong plots, well-rounded characters, and written in a language that anyone can understand.”  (All 15 of his books are good, especially A Good Man in Africaand Brazzaville Beach.)

Barbara Kingsolverhas also done it again, with her latest book, Unsheltered—two intertwining narratives about two families who live in the same house, 150 years apart.  The New York Times calls it a “socially, politically and environmentally alert novel that engages with the wider world and its complications and vulnerabilities, all the while rendering the specific, smaller worlds of her characters humane and resonant.”  (All nine of her books are good, especially Poisonwood Bible.)

The Winter Soldier by Daniel Mason, set in an isolated field hospital during WWI,is part mystery, part war story, and part romance,  “The beauty of Daniel Mason’s new novel . . . persists even through scenes of unspeakable agony.” (The Washington Post)  “Indeed, it is a significant accomplishment that Mason is able to bring a level of humor out in characters so immersed in the pain and suffering of war.” (New York Journal of Books)

My New Year’s wish for all of us: Let us go forth and “read as a drunkard drinks, or as a bird sings, or a cat sleeps, or a dog responds to an invitation to go walking—not from conscience or training, but because we would rather do it than anything else in the world.”  (L.A. librarian Althea Warren)

“Science, Humor, and Something Gross”: Mary Roach’s Popular Science Books
December 2018

One of my favorite Delightful Authors, Mary Roach, writes popular science books about the human body. As she explains, her topics “have a little science . . . a little history, a little humor—and something gross.” Examples include cadavers and the alimentary canal.

According to her website, “I often write about science, though I don’t have a science degree and must fake my way through interviews with experts I can’t understand.”

My all-time favorite Mary Roach book is Bonk: The Coupling of Science and Sex, a hilarious review of the various scientific studies of human sexuality. According to the San Francisco Chronicle, “Roach is one of those rare writers who can tackle the most obscure unpleasantness and distill the data into a hilarious and informative package. . . It’s a wonderful read, sprinkled with facts you can quote to amaze your friends.” And the The New Yorker calls her “The funniest science writer in the country.”

For the strong of stomach, I recommend Gulp: Adventures on the Alimentary Canal, “the much-maligned tube fro m mouth to rear.” In Gulp, we meet the scientists who tackle the questions such as “How much can you eat before your stomach bursts?” “Can constipation kill you?” “Did it kill Elvis?”

Other books include Stiff: The Curious Lives of Human Cadavers, Packing for Mars: The Curious Science of Life in the Void, and Grunt: The Curious Science of Humans at War.

For other Delightful and Amusing non-fiction recommendations, click here.

The “Glow of Warmth” From Twice-Told Tales
October 2018

Why are novels that recast plots from well-known classics—from mythology to Shakespeare to famous Victorian novels—so popular? Perhaps because of what social psychologists call the “mere-exposure effect” or the “familiarity principle.” Studies have shown that people feel the”glow of warmth” in the presence of something that is familiar.

Here are six novels for which I felt that “glow of warmth”—not only because they were familiar plots—but because they were excellent books on their own!

My favorite in this genre is Kamila Shamsie’s brand-new book, Home Fire, a stunning re-telling of the Antigone myth of mixed loyalties, set in a Muslim family in present day London, the U.S., and Pakistan.  The characters are subtle and complex, the writing beautiful.  The critics agree:  “Ingenious and love-struck . . . Builds to one of the most memorable final scenes I’ve read in a novel this century.” (New York Times).  “Shifting points of view allow Shamsie to explore the different relationships at stake, from family loyalties to sexual passion, and these intimate connections counterbalance her broader political point.” (Amazon Best Book review) Awarded the Women’s Prize for fiction and longlisted for the Man Booker prize.

Another excellent retelling is A Thousand Acres by Jane Smiley, a modern version of King Lear, in which a wealthy father decides to divide his farm among three daughters.  The Washington Post called it “A family portrait that is also a near-epic investigation into the broad landscape, the thousand dark acres of the human heart. . . . The book has all the stark brutality of a Shakespearean tragedy.” “Powerful and poignant,” notes The New York Times.  Awarded thePulitzer Prize and National Book Critics Circle award.

The Hours, by Michael Cunningham, is vaguely based on Virginia Woolf’s Mrs. Dalloway.  It tells the story of three women: Virginia Woolf, beginning to write Mrs. Dalloway in 1923; Clarissa, planning a party for her beloved friend who is dying from AIDS in modern-day New York; and Laura, a 1949 Los Angeles housewife, feeling the constraints of a perfect family and home. By the end of the novel, these three stories intertwine in remarkable ways, and finally come together in an act of subtle and haunting grace. “Cunningham has created something original, a trio of richly interwoven tales. . . . his most mature and masterful work,” according to The Washington Post.  Awarded the PEN/Faulkner and Pulitzer prizes.

Ian McEwan’s Nutshell reworks the story of Hamlet from the point of view of an astonishing narrator: the Hamlet character is a baby in utero!  “With Nutshell, notes a New York Times reviewer, “Ian McEwan has performed an incongruous magic trick. . .  smart, funny and utterly captivating.” In the words of the San Francisco Chronicle,“Fantastically entertaining and frequently hilarious.”

Another refashioning of Shakespearean that I enjoyed is Vinegar Girl by Anne Tyler (one of many in the Hogarth Shakespeare series).  How, I wondered, could anybody possibly relate the decidedly anti-feminist plot into the modern day? Well, Tyler managed brilliantly, as NPR notes, taming “the Bard’s shrewish battle of the sexes into a far more politically correct screwball comedy of manners that actually channels Jane Austen more than Shakespeare.” Or, in the words of TheWashington Post, an “ingenious resetting . . . with considerably more humor and gentleness than in the Bard’s version.”

 Eligible by Curtis Sittenfeld, echoes Pride and Prejudice with the additions of lots of sex, homosexual and transgendered characters, and reality TV.  Although not in the same league as the other books listed here, I was impressed with her clever twists—such as, Bingley and Darcy as Ivy League educated doctors; the Bennet house falling apart rather than being entailed; “Willie” Collins as a boring techie; and Pemberley being located in Atherton.

Not all retellings are successful, of course.  I would advise you to steer clear of what I consider three failures:  (1) Laurie Horowitz’s The Family Fortune, vaguely based on Persuasion by Jane Austenstupid chick lit about “Trust Fundy” in Boston; (2) Hag-Seed by Margaret Atwood, reminiscent of The Tempest: one funny section when  bunch of prisoners swear in Shakespearean language, but an ultra-stupid plot; and (3) The Innocents by Francesca Segal, an unsuccessful recasting of Edith Wharton’s The Age of Innocence, set in an upper-class Jewish enclave, with unconvincing characters, unconvincing dialog, and none of the  tortured ambivalence that permeates the Wharton book.

What are some of your favorite re-tellings?  Let me know and I’ll share them in next month’s posting.  And remember, you can always check out the catalog of my All-Time Favorites at Delightful Reads.

Inventing a New Genre: “Money & Love through an Alcoholic Haze”
September 2018

I just finished Caitlin Macy’s­ new book, The Fundamentals of Play, and felt moved to invent a new genre of novels that I, for one, really love:  I call it “Money & Love through an Alcoholic Haze” (MLAH, for short).

The preeminent example of this genre is, of course, The Great Gatsby. Widely considered a literary classic and a contender for the “Great American novel,” this novel captures the moral vacuity of the American society obsessed with wealth and status, capturing what the Washington Post calls “the aspirational (if borderline delusional) nature of the American psych”—all told in a seemingly alcoholic, blurry, melancholy, and elegiac tone.

The more recent example is Caitlin Macy’s witty and sophisticated tragicomedy of errors, The Fundamentals of Play, about a group of prep school friends—with the affable and sincere George as the Nick Carroway narrator; the patrician and fun-loving Kate Goodenow as Daisy; and the socially inept entrepreneur Harry Lombardi as the ambitious Gatsby. The plot and characters cover the “Love and Money” part of my definition, but the style and tone cover the “Alcoholic Mist.” The tone is elegiac, world-weary, elegant, and ironic.  Events seem to occur in a misty haze.  At the same time, the characters seem to be drinking continually.

Rules of Civility centers on a likeable and ambitious young woman who catapults into a world of Audubon prints and silver Art Deco martini shakers, after a chance encounter in a late 1930’s jazz club.  The rich and evasive banker Tinker Gray plays the part of Jay Gatsby.  Like Fitzgerald, Edith Wharton, and Louis Auchincloss, author Amor Towles (an Ivy League investment banker himself) clearly knows the privileged world he’s writing about. (Towles went on to write the popular and playful A Gentleman in Moscow.)

Unlike Macy’s and Towles’ emphasis on the “Money & Love” side of the MLAH genre, Sweetbitter, by Stephanie Danler, gives us a strong dose of “Alcoholic Mist”—what could be called, perhaps, almost an alcoholic fog.  “A sexy, sweaty book of sensory overload” (again in the words of the Washington Post), the book is a coming-of-age story about a young woman who moves to New York and works in a fancy restaurant. The book really captures the insanity of that life, both at work and after work—as she discovers champagne and cocaine, love and lust, dive bars and fine dining rooms.

A final example is Girls in White Dresses by Jennifer Close, which perfectly captures the alcoholic, insecure life of girls in their 20’s, living in New York.  Told as intersecting stories, three post-college young women live their hung-over and lovelorn lives, suffering through evil bosses, cancelled engagements, and an endless round of weddings and bridal showers.

Now that you know the genre exists, let me know if you can think of any other similar novels?  I’ll list them in next month’s posting.

Or, if you’re looking for novels about other topics, visit my website Delightful Reads.

Oh, Where Are the Satires of Yesteryear?
July 2018

When it comes to Christopher Buckley, I can’t help feeling like the aliens who appear in Stardust Memoriesand tell Woody Allen, “We like your movies, particularly the early, funny ones.”  That is, I like Buckley’s early, funny satires.

Alas, I couldn’t even finish his two most recent books—The Judge Hunter and The Relic Master—two supposedly funny, but to my mind, boring historical novels.

What a disappointment this new turn in his writing career has been—because his early satires are wonderful! (Warning: they are also full of extremely dark humor.)  I recommend these favorites:

  • Thank You for Smoking: Features the chief spokesperson for the tobacco industry, along with his pals on the M.O.D. (“Merchants of Death”) squad, representatives of the alcohol and firearms industries. Click here for details.
  • They Eat Puppies, Don’t They? About a lobbyist and sexy neocon joining forces to get funding for a top-secret weapons system, by spreading the rumor that China is trying to assassinate the Dalai Lama.
  • Florence of Arabia:  The attempts of state department employee named Florence trying to bring equal rights to a fictional Middle Eastern nation of Matar.
  • I also liked Losing Mum and Pup, a fond and sympathetic memoir about coping with the death of his parents. He is the liberal son of conservative William F. Buckley and Patricia Taylor Buckley, a glamorous socialite.

I’m not the only one who likes Buckley.  Critics have called him:  “One of the funniest writers in the English language.” (author Tom Wolfe); “The quintessential political novelist of our time (Fortune); and “One of the best and surest political humorists in America.” (Los Angeles Times Book Review).

If you like wicked satires in general, click here for more recommendations.

Put Meg Wolitzer on Your “Top Shelf”
June 2018

With the publication of her latest book, The Female Persuasion, one of my favorite authors—Meg Wolitzer—is finally getting the attention she deserves.

She has written almost a dozen novels, but as she has pointed out herself in an article entitled “The Second Shelf,” books by women do not get the serious attention that men’s do—and are often demoted to “Women’s Fiction,” that lower shelf in the bookstore where books by women are often relegated.

My favorite of Wolitzer’s (Meg Wolitzer, that is, not to be confused with novelist Hilda Wolitzer, her mother) books is The Position.  This is the funny and moving story of the family complications arise when the children discover their parents have written a best-selling sex manual, full of illustrations of their parents making love.  “Hilariously moving, sharply written”  (USA Today); “novel of sexual politics and family farce. . .  Wolitzer’s comic timing never wavers”  (New Yorker); “Wolitzer is a witty, bold, and upbeat satirist, and this is one scintillating, wily, and wise novel.”  (Booklist)

Another favorite is The Interestings, about the lives and times of a group of friends who meet at art camp.  “Remarkable . . . With this book [Wolitzer] has surpassed herself.” (The New York Times Book Review)“A victory . . . The Interestings secures Wolitzer’s place among the best novelists of her generation. . . . She’s every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn’t women’s fiction. It’s everyone’s.” (Entertainment Weekly)

Her latest book, The Female Persuasion, is third in my gallery of Wolitzer favorites.  In it, a shy college freshman gets sexually assaulted at a frat party then meets a Gloria Steinem-like character who changes her life.  “It’s that sort of fraught, earnest, deeply felt emotion that powers this book, that gives it its beating heart. The politics are more or less incidental, but the ways these characters relate are profoundly moving.” (Vox) “It also takes an unflinching look at the intricate nature of family, the elaborate give-and-take of friendship, and the perils of hero worship.” (The Washington Post)

It has been well documented that books by men are reviewed more and receive more literary awards. If you are interested in the “second shelf” phenomenon for books written by women, see The Second Shelf,The Franzen Feud,” and the VIDA website, which tallies gender disparity in book reviews.

Imagining Life Behind the Veil
May 2018

I just finished a new novelized biography about the trailblazing and influential Iranian poet and film director, Forough Farrokhzad.  Song of a Captive Bird by Jasmin Darznik is a debut novel set in Iran before and during the time of the last Shah.  Kirkus Reviews describes the book as “a thrilling and provocative portrait of a powerful woman set against a sweeping panorama of Iranian history.”

As much as I found her story fascinating, reading this book brought to mind several others on the same topic, all of which I found even more powerful and compelling.

Infidel by Ayaan Hirsi Ali is a gripping and depressing memoir—ultimately a celebration of triumph over adversity—of an African Muslim turned anti-Muslim.  Ali tells her astonishing life story, from her traditional Muslim childhood (in Somalia, Saudi Arabia, and Kenya) to her intellectual awakening and activism in the Netherlands, and her current life under armed guard in the West.  Christopher Hitchens calls her “a charismatic figure of arresting and hypnotizing beauty [who writes] with quite astonishing humor and restraint.”

Nine Parts of Desire: The Hidden World of Islamic Women, by Pulitzer Prize-winning author Geraldine Brooks, presents the stories of a wide range of Muslim women in the Middle East.  “Powerful and enlightening . . . Brooks presents stunning vignettes of Muslim women . . . and carefully distinguishes misogyny and oppressive cultural traditions from what she considers the true teachings of the Koran.” (Publishers Weekly)  I agree with the New Yorkers’ assessment:  “Frank, enraging, and captivating.”

Tiny Sunbirds, Far Away by Christie Watson is a heart-wrenching and heart-warming coming-of-age story of a plucky Nigerian girl that deserves to be better known. Winner of the Costa First Novel Award, “Christie Watson’s debut novel, set in the troubled Niger Delta, does what fiction does best, it captures place and characters so well that you feel you are also there,” according to Helon Habila.  Or, in the words of Giles Foden, “An excellent novel. It takes the reader deep into the reality of ordinary life in Nigeria and is also funny, moving and politically alert.”

But I have saved the best for last.  The Cairo Trilogyby Nobel Prize winner Naguib Mahfouz, is a magnificent epic trilogy of about a Muslim family in Cairo during Britain’s occupation of Egypt in the early decades of the twentieth century. According to the New York Times Book Review, the series is “luminous . . . All the magic, mystery and suffering of Egypt in the 1920s are conveyed on a human scale.” In the words of Newsday,“A masterful kaleidoscope of emotions, ideas and perspective. Mahfouz has captured a family and its homeland at one gloriously varied moment in a cycle.”  Start with Palace Walkthe first in the series.

And I can’t resist tacking on one more book here (even though it’s not a novel), for anyone interested in understanding the Muslim cultureDestiny Disrupted by Tamim Ansary, is an excellent history, easy to read, that made me rethink and understand Islam in a completely different and enlightening way.

Muslim women and culture are such interesting topics.  Surely, you must have some other books on this topic! Please reply to this email to let me know.

Last month, I asked for your recommendations for “wonderful, but neglected”authors.  In response, I learned of three detective series, the first two both by Michael Pearce: (1) the “Mamur Zapt Series” set in Egypt during the opening of the 20thcentury, (2) “A Dead Man in . . .” series set in various Mediterranean cities before WWI; and (3) the “Maisie Dobbs Series” (by Jacqueline Winspear) about a “psychologist and investigator” in post WWI London.  Although I haven’t read these myself, I am told they are non-violent and suffused with history and culture.


The Unjustly Neglected Dorothy Whipple
April 2018

I would like to induct Dorothy Whipple into my personal pantheon of wonderful—but underappreciated—authors of those comfortable, intelligent, well written, and well-plotted books known as “Delightful Reads.”  Whipple joins the likes of Barbara Pym, Nancy Mitford, and Elizabeth Taylor (no, not that Elizabeth Taylor), all of whom were highly successful during the mid-twentieth century, then fell out of favor, and, at last, are now being rediscovered and reprinted.

Whipple (1893-1966) wrote about 12 clever, character-driven novels about families in turmoil. She was hailed as the “Jane Austen of the 20th Century” by J.B. Priestly and her books are said to “deserve renewed recognition as minor classics.” (The Spectator)

Luckily for us, Persephone Books (publishers of neglected fiction by mid-twentieth century women writers) has reprinted eight of her books. I’d start with my two favorites:

  • Greenbanks: My number one Whipple novel, Greenbanks, is set in the eponymous large comfortable home in the English countryside during WWI. It spans the lives of three generations in the Ashton family. The plot revolves around Louisa, the grandmother and matriarch, and Rachel, her granddaughter—and all the uncles, aunts, and cousins in between.
  • The Priory: Another favorite of mine also happens to be set in a large family country home, this one known as Saunby Priory. There are three intertwining plots, each told from another point of view: the father marrying a spinster/stepmother; the “downstairs” romances; and the daughter Christine.
  • In honor of April Fool’s Day, however, I must add: Don’t be fooled They Knew Mr. Knight, the only Whipple novel I didn’t like. A totally predictable story about a family that gets bamboozled by a bad guy financier.

Can you think of any other authors who deserve to be inducted into the “Wonderful, But Neglected” panoply?

Last month, I asked you for your recommendations on books about inheritance. Here are your suggestions, almost none of which I’ve read: The Woman in White by Wilkie Collins; The Other Family by Joanna Trollope; Why Didn’t They Ask Evans? by Agatha Christie; David Copperfield, Great Expectations, and Our Mutual Friend (and, let’s face it, just about anything) by Charles Dickens; and the one with the most promising title: Robert McCullough’s The Dog Got It All.



Who Shall Inherit?
March 2018

From Shakespeare’s King Lear and Hamlet to the Victorian Pride and Prejudice and Great Expectations to today’s wildly popular Inheritance Cycle, inheritance has always been a popular theme in literature. No wonder. Who wouldn’t be fascinated by identity and control; wealth and power; the Victorian “marriage market”; disinheritance and usurpation; parental love and approval—and plain old luck?

Here are some wonderful novels dealing with this theme.

  • Bleak House by Charles Dickens. Perhaps the most famous inheritance novel, Bleak House features Jarndyce vs. Jarndyce, a tangle of disputed wills and disrupted inheritance that ties up the High Court of Chancery for decades. Two fascinating narrators tell the tale of the long-buried secrets of Esther Sommerson’s life and a generations-long family lawsuit.  A host of unforgettable characters.  Romance, mystery, comedy, and satire.  Read more here . . .  
  • A Thousand Acres by Jane Smiley. Beautifully written Pulitzer Prize winning retelling of the King Lear plot, when a modern-day father decides to divide his farm among three daughters. The New York Times called it “powerful and poignant.” Read more here . . .  (And, for other modern updates of Shakespeare, see Vinegar Girl and Nutshell.)
  • The Witch of Exmoor by Margaret Drabble. Postmodern family drama of a family with a crazy rich mother—full of satire, humor, and self-conscious realism, in which the narrator breaks into the story to comment or offer commentary and alternative plot lines. Delightful characters and rather melodramatic plot.
  • The Nest by Cynthia D’Aprix Sweeney.  Debut novel about four adult siblings and the fate of the shared inheritance that has shaped their choices and their lives. Captivating and funny. “Humor and delightful irony abound in this lively first novel.” (New York Times Book Review)  Read more here . . . 
  • A House Among the Trees by Julia Glass. A world-famous writer dies, leaving his estate to his personal assistant/ caretaker—a richly plotted novel of friendship and love, artistic ambition, the perils of celebrity, and the power of an unexpected legacy. “A fascinating look at a world in which a creative artist becomes a hot property to be both honored and exploited . . . A compelling story with fully realized characters.” (Booklist)  See also . .
  • This Is Where I Leave You by Jonathan Tropper. Hilarious book about a seriously dysfunctional family forced to spend seven days together after the death of their father. “A compulsively readable, laugh-out-loud funny novel . . . Tropper is wickedly funny, a master of the cutting one-liner that makes you both cringe and crack up.” (Amazon Best Book of the Month) And also a good movie. Read more here . . .

These are just a few of my favorite inheritance novels. Check out this website for many more. What are some of yours? And why do you suppose the theme is so popular?